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untitled (2014), Chromogenic print, 5x5in
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Chemins (2014), Watercolor on paper, 8.5x6in
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La vieille dame (2019), Scanned from black & white 35mm
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Le cri de la roche (2019), Scanned from black & white 35mm
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Corps embrase (2020), wheel-thrown stoneware, 24x20cm
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El Popo (2020), wheel-thrown stoneware, 20x16cm
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La peau du volcan (2020), wheel-thrown stoneware, 18x24cm
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il vesuvio disincantato (2018), Translated from French
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Fumée (2019), Scanned from black & white 35mm
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Inside 2 (2019), Scanned from black & white 35mm
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Le Vésuve bleu et vert (2018), Watercolor and Chinese ink on paper, 8.5x6in
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Hvitserkur (2020), Dry pastel on paper, 11x8.5in
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untitled (2020), Watercolor on paper, 8.5x6in
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La solitude, (2020), hand-built stoneware, 30x26cm
Corps de Pierre
This project (2014-2020) initiated with my discovery of Iceland's landscapes almost ten years ago. Nature in Iceland is striking because it lingers wildly untouched by human hands. So brutal, strong and fierce that it triggered in me that particular feeling mentioned by the French philosopher Blaise Pascal: 'to be in between two infinities'. The project is a compilation of memories, collected over time in different countries, poems, sketches, watercolors, photographs and ceramic pieces. All of them become different iterations of the same territory — the one of rocks and wild places — and the experience of the sublime.